As a kid I thought airports were the most romantic places in the world. Now, while other airports destroy my jet-setting romanticism, Keflavík aptly revives it.
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The government of Iceland and the opposition in Iceland’s parliament reached an agreement yesterday on a discussion point to use in renegotiations with British and Dutch authorities on the Icesave obligations.
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Click on the picture to observe how to prepare a traditional Icelandic meal of roe and liver (hrogn og lifur). At this time of year, egg pouches are harvested from female fish, mainly cod and haddock, and sold in fish stores around the country along with the liver. The egg pouches may not look appetizing; just remember that caviar is fish eggs too.
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Fjallabyggd (“Mountain Settlement”) is a skier’s dream. Its slopes are perfect for slaloming and there are also tracks for telemark skiing. Winter sporting enthusiasts can also go ice skating or rent snowmobiles. In summer, Fjallabyggd turns into a paradise for hikers. Read this special promotion about one of Iceland’s best hidden gems.
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Foreign Minister Ingibjörg Sólrún Gísladóttir has decided to remove an Icelandic Crisis Response Unit (ICRU) member from a NATO training program for the Iraqi army in Baghdad next month, causing disappointment among NATO leaders.
The ICRU member has been working in Baghdad for the last two years, primarily as a media representative, and will cease working there October 1, Morgunbladid reports.
John Craddock, the Supreme Allied Commander Europe for NATO and the US European Command, said at a press conference in Iceland yesterday that Iceland is an important and active NATO member and that he was disappointed with Gísladóttir’s decision.
But Craddock added that he understands that NATO member nations have to make decisions according to their best interests and “estimate what they can do and what they cannot do, what they want to do and what they don’t.”
Gísladóttir was asked at the press conference whether she would withdraw ICRU members from NATO projects in Afghanistan as well. The minister said she would not, as the situation in Afghanistan is different from that in Iraq.
“In Afghanistan, NATO has a certain role to play on behalf of the UN, which a multi-national team supports, and we all know that the conflict in Iraq began differently [than that in Afghanistan],” the minister said, adding that the Icelanders who have worked in Iraq were there as part of military operations.
When asked whether the same applies to the ICRU members in Afghanistan, Gísladóttir replied that was the case, but repeated, “we look at Iraq differently from Afghanistan.” The minister added her decision coincides with the government’s declaration that it regrets the war in Iraq.
Gísladóttir said Iceland should focus on other development programs related to Iraq, like educational programs for Iraqi refugees. Nearly two million Iraqis are believed to have fled the country and now seeking refuge in Jordan or Syria.
New subscribers to the quarterly Iceland Review magazine will receive the photography book Puffins, which contains a wealth of information about this colorful bird, as a gift. Additionally, all subscribers will enter a draw to win a trip to Iceland. Click here to subscribe to Iceland Review. The new issue will be out next week!
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When I first heard of the photographic book Legend by Fiann Paul, portraying people dressed in Viking-style in Icelandic landscapes, I imagined it would depict scenes from Norse mythology. However, the idea with the book is to tell a story of how “The Seeker” finds “The Legend” and it feels like a wishy-washy self-help book.
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Fresh back from Brazil, where she was one of 28 international judges at the ‘Cup of Excellence’ awards, Kaffitár founder and owner Adalheidur Hédinsdóttir sat down with Atlantica’s Mica Allan in Kaffitár’s Bankastraeti cafe to talk about her passion and delight: coffee.
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“Lucy” is a video and music installation by Dodda Maggý (1981), the 15th artist to exhibit in Reykjavík Art Museum’s D-gallery project in the Hafnarhús exhibition hall. In “Lucy” the artist explores the idea of the “acousmetre,” a film character portrayed only by voice, never in body, omniscient and ubiquitous.
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